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"MEART - The semi living artist" + The Black Pixel
SymbioticA Research Group in collaboration with The Steve Potter Lab & Boryana Dragoeva

Symbiotica Research Lab

This installation is an experiment that is set to explore the relationship between the input/stimulation to the neuronal culture and the output/drawings as well as exploring creativity & the possibilities of emergent behaviour of the "semi living artist".

MEART will be inspired by and draw Malevich's Black Square. A camera (the sensory input and the eye of MEART) will be mounted in Tretyakovsa gallery or the Russian Museum "observing" the painting. The captured image (of the painting) will then be converted to a stimulation map and will be used to stimulate the neurons (this is the beginning of the drawing process).

The action of MEART observing and drawing the Black Square examines the fundamentals of visual creativity and the way we communicate with the world through images, symbols and their underlying meanings. It represents a distillation of core ideas and processes that are intended to bring the brain (neural network) and the body closer together in a conceptual manner.

 

 

Robot, Revolucia, Onanism!

Sofia (April/May, 2004)

Serises of artistsc actions and exhibitions.

 

Spookybots

(Media Longe, FACT, Liverpool)

http://spookybot.fact.co.uk

http://autobot.fact.co.uk

We are pleased to present the launch of Boryana Dragoeva's Spookybots in the FACT Media Lounge

It's the year 2003, and on screens all over the UK, John Conner is being pursued by the most advanced terminator ever built: Terminatrix. Recent technological advances have sparked environmentalists' warnings that microscopic, self-duplicating robots will one day take over the planet, transforming the biosphere into grey goo. Meanwhile, researchers continue to make advances in designing computers that think in a humanlike way. Recently, the US Defense Department announced the launch of its Real-World Reasoning project, an initiative that will design computers to think and problem-solve more flexibly.
Following these developments, worldwide anti-robot sentiment has reached a critical /eve/. We humans like to think of robots as electronic idiots, friendly helpers around the house, washers of dishes, mowers of lawns, but throughout science fiction, there is also a fear that when they become too powerful or intelligent, they will rebel against their human creators.
Bulgarian artist/curator Boryana Dragoeva's Spookybots is a project on the guardrails of reality and science fiction. Dragoeva works with specially-designed 'chat bot' software, which imitates a human online chat partner. The software, which was created by Russian programmer Dmitry Zhuravlev, is self-educational. When it is first installed, it knows nothing; it is an electronic idiot. Through use, the bot's personality develops and it can begin to have conversations on a wide variety of topics.

Dragoeva is working with a handful of local people who have committed to a long-term relationship with a bot. Some of the trainers are creating their ideal romantic partner; one is creating his long-lost twin brother; for others, the bot will be a friend. The opening of this exhibition comes near the beginning of this training process. The bots have very little information in their databases, but this will grow as they converse with the public and with their human trainers. As this happens. they will become more human-like.
The relationship between trainer and bot is the main concern of this project. She believes that the robot-human relationship is like any relationship between the ever-changing categories of 'margins' and 'main', oppressed and oppressor. 'If a man can love a bot,' she says, 'he is capable of loving anything.'

Spookybots is based on a project by the SUPERNOVA group using software written by Russian programmer Dmitry Zhuraviev. Spookybots was commissioned by VirtualCentre-Media.net with the support of the Culture2000 programme.

Citizen Robot (Photographs) The photograph on the left is a famous image of Vladimir Mayakovski, the leading poet of the Russian Revolution of 1917 and one of the founders of Russian Futurism, a movement that was fascinated with speed, cities, and technology. Dragoeva has recreated his pose with AIBO, Sony's artificially intelligent robot dog.